Intimacy, for Sarah Burton, manifests as structure—engineered, shaped, and worn. With The Snatch for Givenchy by Sarah Burton, she traces a lineage of proximity: objects designed to live close to the body, to understand it, to respond. Introduced as part of a wider ready-to-wear language, The Snatch distills Burton’s sculptural sensibility into a single, sensual form—one that pulls, cinches, and curves with deliberate intent.

The bag’s silhouette borrows from the grammar of clothing. It recalls the discipline of tailoring and the softness of lingerie: the nip of a jacket at the waist, the arc of a bra, the gentle tension of fabric held just so. Crafted in supple calf-grain leather with a naturally tumbled finish, the exterior negotiates strength and fluidity, while an inside-out construction reveals a contrasting nappa lining—an intimate inversion. Unzipped, a colour-pop lunetta detail appears, a private flourish meant for the wearer alone.

Hardware becomes narrative rather than ornament. Organic metal chains lock into angular zipper pullers, softness colliding with precision, while delicate metal feet ground the bag’s sensuality in function. Offered in gold or silver, the hardware echoes Burton’s dialogue of romance and rigor. Available in three sizes—large, medium, small—The Snatch adapts to hand, shoulder, or crossbody, recalibrating intimacy with each gesture.

Its palette oscillates on the principles of restraint and release: black, aubergine, dark brown, and taupe offset by baby pink, cream, red, and graphic black-and-white. In The Snatch, Givenchy by Sarah Burton’s luxury is experiential, worn close, unfolding slowly, rewarding curiosity with touch.