F L A U N T
MoMA in New York City has announced its Fall and Winter 2020 exhibitions, not shying away an array of commentary on our way of life today.
Check out the program below!
Engineer, Agitator, Constructor: The Artist Reinvented
Hannah Höch, German (1889–1978). Collage (Dada). c. 1922. Original collage: cut-and-pasted papers, printed papers, ink (postmark), and postage stamp on board, 9 3/4 × 13″ (24.8 × 33 cm). The Museum of Modern Art, New York. The Merrill C. Berman Collection
The exhibition will present the political engagement, fearless and groundbreaking visual experimentation, and utopian aspirations of artists in the early 20th century. On view December 13, 2020 – April 10, 2021.
John (born Helmut Herzfelde) Heartfield (German, 1891–1968). The Hand Has Five Fingers (5 Finger hat die Hand). 1928. Lithograph, 38 1/2 × 29 1/4″ (97.8 × 74.3 cm). The Museum of Modern Art, New York. The Merrill C. Berman Collection
Broken Nature
Julia Lohmann. Oki Naganode. 2013. Seaweed, rattan, aluminum, 118 x 137.7 x 137.7 in. (300 x 350 x 350 cm). Installation view in Broken Nature: Design Takes on Human Survival, the XXII Triennale di Milano, March 1, 2019–January 28, 2018. Courtesy Triennale di Milano, photo: Gianluca di Ioia
The exhibition will highlight the concept of “restorative design” and present objects and concepts that offer strategies to help humans repair their relationship with their environments. On view November 21, 2020–Summer 2021.
Alexander Groves and Azusa Murakami of Studio Swine. Can City Stools. 2013. Sand-cast aluminum, dimensions variable. Courtesy the artists
Projects: Garrett Bradley
America, 2019, dir. Garrett Bradley, courtesy the filmmaker
Presented as part of a multiyear partnership between The Museum of Modern Art and the Studio Museum in Harlem, the exhibition features a multichannel video installation, America (2019), which depicts Black figures whose lives have been lost to history.
America, 2019, dir. Garrett Bradley, courtesy the filmmaker
Degree Zero: Drawing at Midcentury
Uche Okeke (Nigerian, 1933–2016). Design for Iron Work I, 1959. Ink on paper. 11 x 7 1/4″ (27.9 x 18.4 cm)
The Museum of Modern Art, New York. Walter Bareiss Fund, Curt Valentin Bequest, gift of Mrs. Muriel Stokes, gift of the Weyhe Gallery, Inter-American Fund, gift of William S. Lieberman, gift of Mr. and Mrs. Pepi Borit, gift of the Ian Woodner Family Collection, and Grace M. Mayer Bequest (all by exchange). © 2019 Uche Okeke, Courtesy Skoto Gallery, NYC
The exhibition will showcase approximately 100 drawings made between 1948 and 1961 exclusively from the Museum’s collection. It looks across movements, geographies, and generations to highlight connections between diverse artists who embraced drawing to forge a new visual language in the aftermath of World War II.
Jean Dubuffet (French, 1901–1985). Landscape (Paysage), 1951. Ink on paper. 11 3/4 x 12″ (29.8 x 30.5 cm). The Museum of Modern Art, New York. Purchase. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris
