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 Galería Ggustina Ferreyra, _Ramiro Chaves & Ulrik López_. Kurimanzutto, Mexico City, 2021 Kurimanzutto, an exhibition space conceived for the purpose of exploring diversity in art galleries, welcomes its third reprise of their current series. Kurimanzutto presents the work of Ramiro Chaves and Ulrik López. The upcoming debut will showcase both artists’ newest bodies of work and craftily show the intersection between two artists’ very different pieces. The pieces utilize both symbolic and tangible fragments to create a whole message on becoming one with the world and your surroundings.  Galería Ggustina Ferreyra, _Ramiro Chaves & Ulrik López_. Kurimanzutto, Mexico City, 2021 Ulrik López (Mexico, 1989) is known for taking research on human activity, like archaeology and anthropology, and turning it into an investigation on ideology and human behavior, as well as those whom are involved. _Las montañas lloran cada 15 años, así es que nacen sus ríos (Mountains cry every 15 years, that is how their rivers are born),_ as well as other pieces included in the gallery, indirectly utilize personification, and focus on mountains as living objects. Ramiro Chaves (Argentina, 1979) breaks artistic barriers by using varying techniques of creation, like photography, drawing, painting, sculpting and visual poetry. _NARDAR A SO,_ his latest labor of love, “is a house made of other houses. NARDAR can be. An imaginary verb. An optical and an acoustical potency, simultaneously. An animal voice. Gazing as narrating. Barking. Wanting to swim and not doing a thing. A-dressing another one. Switching spaces in reflective maps. An ascending direction. A sort of care. SO-maybe knows what I don’t. It is a light, a girl friend, a support, some color, mourning and a pretext.”