Jemima Kirke

by Rachel Kramer Bussel


Pologeorgis shearling vest (on floor) by Michael Kors, slip by Only Hearts, lace bra by Eres, Gold arrow necklace by Pamela Love, and necklace (Worn throughout) by Jennifer Meyer.


Babydoll dress with silk bust and knit bottom by Jil Sander and lace bra by Eres.


Cashmere racerback tank and gold cuff by Gucci, slip by Only Hearts, and lace bra by Eres.


“Katy,” (2008). Oil on canvas. 46” x 34”. Courtesy the artist.


“Eleonore,” (2011). Oil on canvas. 29” x 24”. Courtesy the artist.


Button-down blouse by Tom Ford, pleated maxi skirt by J. Mendel, lace bra by Eres, and gold arrow necklaces by Pamela Love.

Jemima Kirke

A Unique Breed of Multi-Disciplinarian Emerges

The first thing Jemima Kirke tells me about is her passion for Elvis, and her excitement about having visited Graceland. “I want to make it upstairs,” she declares of the off-limits area of his famed mansion, with the determination of a rabid fan. She does, after all, have his birthday inked on her arm. The 27-year-old painter and actress, daughter of Bad Company drummer Simon Kirke and interior designer Lorraine Kirke, got her first studio at age eight. “My mother painted it white and put a bench and table in there. I could paint on the walls if I wanted to.” She used it to make birthday card collages, and hasn’t stopped creating art since.

A graduate of Rhode Island School of Design, the married Brooklynite has tried many artistic media, but is currently focused on oil on canvas portraits, and has now detoured into playing free-spirited Jessa on HBO’s much buzzed-about drama Girls. Directed by her friend and high school classmate Lena Dunham, Kirke wowed audiences with a surprise wedding on the first season’s finale, and is now causing speculation about how her second pregnancy will be written into the show. At first, acting proved to be a dilemma for Kirke. “I hated it,” she admits. “I hadn’t established myself as a painter, not just in the outside world, but inside. Here I am doing something that’s bigger than anything I’ve ever done as an artist, and that could sabotage things for me.” With shooting for the second season underway, Kirke has become more comfortable with the role of actor. “I don’t think that I’m the best or great in any way, but I know how to do this character. I have confidence with this girl.”

But it’s painting portraits that still commands her attention. “When someone comes in and they sit down with you, you get your first impression, but if you’re really paying attention all these other traits start to come out. It’s like an X-ray, but not as black and white. It’s a kind of magic.”

Another role Kirke has embraced is motherhood. Of being a mom to one-year-old daughter Rafaella, she says, “When you’re not the only person you have to think about, you suddenly grow 10 years—in a good way. I do feel sometimes that there’s this freedom I don’t have that [my castmates] have and they can’t really understand what it’s like until they’re a mother, too. Sometimes I miss it, but not enough to want to be back there.” Although the grand success of Girls has launched Kirke and her castmates into the national spotlight ever since the show’s inaugural episode this past April, Kirke doesn’t seem fazed. She smiles graciously when a woman seated near us at a Brooklyn café gushes that she and her fiancé are huge fans.

For her burgeoning studio artist practice, Kirke is moving studios soon and has plans for another gallery show. Though she describes herself as “way more neurotic” than Jessa, Kirke exhibits a carefree nature mixed with a sense of responsibility—to herself, her art, and her family. She takes her artwork seriously, but has a low-key, take-life-as-it-comes charm when speaking about herself. There’s a slightly mischievous quality to her laugh, especially when she refers to giving tattoos, as she’s done to over 50 friends, as “like doing someone’s nails.” When she’s not shooting, Kirke keeps a strict 10 to 4 schedule in her studio, to keep her grounded. “A lot of times artists fall into this way of seeing themselves as something special when this is your job, your trade—this is what you’re giving back. You’re not special. If I didn’t see it as just a job and it was just something I did when I was passionate about it, I would never paint.”

As for what the future holds, Kirke doesn’t have a plan, though she muses that she might want to live somewhere more rural than the Big Apple someday. “The best part about being young and having a family is experimenting and shifting together. If we want to pick up and go to, I don’t know, Virginia, we can.”

Photography: Eric Ray Davidson for

Photography Assistants: Scott Simpson and James Stone

Styling: Erin Walsh at

Styling Assistant: Jennifer Michalski

Hair: Lisa-Raquel for

Makeup: Munemi Imai for

Manicure: Fleury Rose for

Location: ACME Studio at