Katherine Bernhardt. “Cantaloupe, iPhones, Nikes and Capri Suns,” (2015). Acrylic and spray paint on canvas. 96 x 120 inches. Courtesy of Canada Gallery, New York.
Chris Wiley. “Dingbat 18,” (2014). Archival inkjet print mounted on aluminum in artist frame with Ettore Sottsass laminate. 43 x 29 1/2 inches. Courtesy Nicelle Beauchene, New York.
Charles Harlan. “Tire,” (2015). Rubber and wood. 56 x 56 x 16 inches. Courtesy JTT, New York.
Alex Da Corte. Still from “Chelsea Hotel No. 2,” (2010). HD video, color, sound. 3:07 minutes.
[](https://flaunt-mag.squarespace.com/content/art/5th-of-july-atlanta-contemporary-art-center#)[](https://flaunt-mag.squarespace.com/content/art/5th-of-july-atlanta-contemporary-art-center#)
All’s Quiet On The Fifth Of July
Atlanta Contemporary Art Center curator Daniel Fuller shares an intimate portrait of American diaspora
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_[The 5th of the July](https://atlantacontemporary.org/exhibitions/the-5th-of-july) opens February 4th at the Atlanta Contemporary Art Center; the group exhibition includes painting, photo, video, ceramics, and large-scale sculpture by artists Charles Harlan, Katherine Bernhardt, Lucas Blalock, Robin Cameron, Alex Da Corte, Tom Holmes, and Chris Wiley._
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