Wes Anderson is back in the snowbound dreamscape he built for Montblanc last year—this time with a train car, new faces, and even more metaphysical musings on the act of writing. The new short film Let’s Write, released globally on June 19th, marks the second chapter in the director’s quietly surreal collaboration with the luxury Maison, celebrating its iconic Meisterstück and the creativity it inspires.

Once again, we find ourselves high above the clouds in the Montblanc Observatory High-Mountain Library, where a trio of mountaineers—played by Anderson, Rupert Friend, and Michael Cera—ponder the meaning of writing, storytelling, and “literal, metaphorical, and poetic journeys.” They’re joined this time by Waris Ahluwalia and emerging actor Esther McGregor, as well as a meticulously staged train car called the Montblanc Voyage of Panorama, which serves as a roving metaphor for introspection, curiosity, and creative pause.

Anderson’s tone is uncanny: wry, controlled, and lovingly composed. Brand references are both playful and deadpan, from the new Montblanc Writing Traveler Bag to the “SCHREIBERLING,” a Wes-designed fountain pen that appears as if dreamed into existence. But nothing feels forced—Montblanc’s legacy isn’t advertised so much as folded into the fabric of this world, a place where storytelling is sacred and pens are portals.

Behind the scenes, the usual suspects return: Roman Coppola co-directs; Adam Stockhausen builds impossibly charming sets, Milena Canonero outfits everyone like stylish Swiss philosophers. The campaign also features still visuals by Charlie Gray and includes Montblanc Ambassadors Joey King, Daniel Brühl, Jing Boran, and Xin Zhilei.

“We want people to feel something different,” says Montblanc Artistic Director Marco Tomasetta. And they will. Because in the hands of Wes Anderson, even a writing instrument becomes a character—quiet, nostalgic, a little absurd—and suddenly, putting pen to paper feels like the start of an adventure.

‍