Born from the harmony expressed between human form and movement, complemented by the fluidity of garb, see the Louis Vuitton Spring/Summer 27 collection by Nicolas Ghesquière, which debuted at Paris Fashion Week. The collection's maxim: the understanding of movement as it happens, with garments that grapple with the expectation of constant mobility. The collection focuses on the relationship between the body and its ability to move with the requirements of daily life, travel, and the essence of the human form.

The pieces in this collection are dominated by longer hems, relaxed but not untailored. Long midi skirts, wide-legged trousers, flowery blouses that melt into the silhouette of the pants resemble the bright pansies of spring, and long layered tops flow to almost knee length, with a sheerness that mirrors the complexity of the garments' construction: cashmere, knitwear delineates, double and triple composite chiffons, carré silks, and scarf fabrics in silk. 

Pieces are constructed to flow and move with the natural contours of the body, without pulling back on the visible design elements. Like an anatomical construction the body, the clothing shifts to the ever-demanding elements of routine, from the rigorous to the most prosaic. Louis Vuitton has historically endeavored move with a kinetic lightness; and this collection proves an extension of that sartorial lineage—using fabrics that complement movement, using weightless-feeling layering, and flattering the very anatomy of the wearer, an invocation, and celebration, of the human body's inability to never be still.