F L A U N T
When it comes to fashion, much of the credit often goes to the models, celebrities, and designers who grace the spotlight. But behind every iconic look, there’s a stylist meticulously organizing garment racks, managing last-minute changes, and keeping a production moving with quiet intensity. Eugenia Dioguardi knows this world well. With experience styling major events like the Latin Billboard Awards, Miami Swim Week and Art Basel, and a growing portfolio in editorial fashion, she offers a grounded perspective on the creativity and pressure that define her work.
Dioguardi describes event styling as both a logistical challenge and a creative performance in its own right. "The prep for big events like the Latin Billboard Awards is very high-pressure and fast-paced," she says. “It’s all about quick changes, staying on schedule, and being ready for anything that comes up at the last minute.” In the days leading up to the show, her team sets up in designated fitting rooms, rehearsing, adjusting, and organizing each look down to the smallest detail. By the time the lights hit the stage, everything has been measured, steamed, labeled, and zipped into garment bags.
In contrast, styling for events like Art Basel allows for a more reflective and conceptual approach. “It’s more calm and creative,” she notes. At Basel, she collaborated with Room Concept Store to create looks that blended with the space itself, treating fashion as part of a visual installation rather than something simply worn. “We thought about how the clothes would move in the space, how they’d be seen by the audience, and how they contributed to the overall energy of the installation.”
Much of Dioguardi’s success has come from her ability to bridge her own creative instincts with the broader goals of clients and production teams. Working alongside established figures like Lina Rodríguez on projects for Saks Fifth Avenue, she had a close-up view of how major fashion productions take shape. “Aligning my creative vision is all about clear communication and understanding what they want to achieve from the beginning,” she explains. “From there, it’s about bringing my creativity in a way that supports and elevates the overall vision.”
That same mindset guides her when things don’t go according to plan. “One of the biggest challenges is when not everyone brings the same level of focus or dedication,” she admits. “Sometimes people don’t show up or aren’t present. You end up wearing many hats to make sure everything still comes together.”
While the backstage energy may feel chaotic to outsiders, Dioguardi runs a tight ship. She begins every production with a master styling document, including head-to-toe breakdowns of each look. Fitting photos are taken in advance, organized into folders by model or scene, and reviewed during quick changes. Her kit includes everything from safety pins to double-sided tape—tools of the trade for moments when improvisation is the only option.
“I stay in constant communication with the rest of the team—dressers, assistants, and the show coordinator—so we’re all moving as one,” she says. Preparation and adaptability are the twin pillars of her approach.
One of her proudest moments came not from a large-scale production, but a personal street-style shoot that gained traction across multiple platforms. “It was one of the first times I saw my own style and creative vision come to life in such a real and expressive way,” she recalls. The looks—bold and street-inspired—reflected her personal taste. For Dioguardi, this authenticity is key: “Being authentic in your work really connects.”
She brings the same intentionality to editorial projects like her spread in Style Cruz, where she says she feels most creatively fulfilled. “You’re not limited by practicality—you can dream big, push boundaries, and create something that lives beyond the moment.”
Her development has been shaped by mentorships with fashion professionals like Lina Rodríguez and Juan Castillo. The advice that stuck? Stay true to your voice, say yes to opportunity, and show up with energy—no matter how small the job. “They really taught me the importance of being organized and fully committed,” Dioguardi says. “You never know who’s watching or who might be the next person to open doors for you.”
Her ambitions are both bold and grounded. She hopes to one day style for Vogue and work with public figures who inspire others. But equally, she wants to help people discover personal confidence through clothing—clearing closets, offering guidance, and eventually mentoring aspiring stylists.
“I want to help people find their own voice and feel beautiful in themselves,” she says. “And I know where I am now is part of the process—growing, learning, and gaining experience so I can make that vision a reality.”
In an industry often focused on glamour and surface, Eugenia Dioguardi stands out for her clarity of purpose, technical discipline, and the care she brings to every detail behind the curtain.
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